Visitor Information

How to get there

The Jardin des Paradis are just below the hilltop village of Cordes-sur-Ciel, in the Tarn département of the Midi-Pyrénées region of south-western France. The gardens are signposted on the main approaches (via D600) to the village from Albi, Toulouse, etc.


Shaded public car parking spaces are nearby. Events are generally heavily-promoted, via banners and posters around Cordes, or ask at tourist offices for programme details.

Further information:
Le jardin des Paradis,
Place du Théron,
81170 Cordes-sur-Ciel,
Tel: 0033 (0)5 63 56 29 77

Paradise Found...

To prove that even the most innovative French gardeners still strive to create a little piece of heaven here on Earth, we visit les Jardin des Paradis. Palms at ParadisFormality is all very well, but it's a pretty safe bet that for as long as there have been gardeners there will also have been those with a desire to bend the rules now and then. Others, of course, make a habit of it. Over the years garden designers Eric Ossart and Arnaud Maurières have become adept at doing just that, Eric having served a five-year stint as resident designer for the Conservatoire de Chaumont-sur-Loire, home of the internationally-renowned summer garden festivals. Arnaud, on the other hand, was serving his time further south, most notably as founder (and subsequently Director) of the Ecole Mediterranean des Jardins et du Paysage, in Grasse. The two creative forces eventually teamed up to produce, among other things, the Jardin des Cinq Sens for the city of Blois, a rose garden for the Parc Floral de la Source, in Orléans plus the Jardin de l'Alchimiste in Eygalières. In 1997, in collaboration with Brazilian landscape architect Roberto Burle Marx, they took the unusual step of establishing an entirely new garden of their own, this time in the Midi-Pyrénées region of South-western France. We recently decided to take a look at the results.

The Jardin des Paradis occupies a spectacular, yet sheltered site tucked into the hillside immediately below the fortified village of Cordes-sur-Ciel, in the Tarn département. The contours of the steep site rule out any grand approach. Instead a couple of banners lead visitors to an otherwise discreet entrance gateway, inside which is a friendly welcome and ticket area. There's also a shaded café terrace, plus a large display of Moroccan earthenware pots for sale. Below the garden, or rather gardens, beckon. There are in fact three distinct garden areas, arranged one above the other in terraces, a traditional, yet often overlooked aspect of gardening in the hilly landscapes of southern France. The initial zigzag descent below the entrance is between woven fences of living willow, plus fragrant vegetation, including lilacs, buddleias and canna lilies. Inventive and ephemeral

Progress is then accompanied by water cascading through a succession of galvanised buckets, each fitted with a small copper spout and embellished with a bright seasonal blossom floating on the surface of the water.

It's to be a recurring theme. Further down is a large citern which serves as a reservoir for the spring water used to irrigate the gardens, its dark, cool waters allowed a decorative role by the addition of more floating blossom, while trout glint and swirl among the shadows below. Opposite stands a dense plantation of tall, huge-leafed Musa basjoo banana plants, which, with its other tropical companions, create a dark sense of mystery and near-isolation. It's short-lived, however, as nearby lie areas carpeted with a blaze of annuals. Zinnias, verbenas, salvias and giant ageratum then give way to dahlias (both red and white), perillas and euphorbias.

Just around the corner, though lies another of the garden's trademark features, a water garden featuring a huge rectangular pond bounded on one side by a walkway made from (French-grown) sequoia decking. At either end of the decking are large glazed pots of Thalia dealbata, underplanted with Phoenix canadensis, and Mandarinien underplanted with purple Plectranthus. The large expanse of water really allows the floating blossom theme full reign, voyaging in the breeze between the plate-like leaves of pink- and white-flowered water-lilies (whose resident frog population is clearly more preoccupied with the emperor dragonflies which skim the surface of the pond). Sparkling ponds at Paradis

Beyond the pond are a breathtaking views of the hills across the valley, uninterrupted except for the unmistakable outline of an Italian cypress spearing up from the hill below. The effect is like having suddenly been transported to Tuscany. After the cool grey crushed slate employed elsewhere for more shaded areas, the fragments of terra-cotta surfacing the adjoining paths sustains the warmer, more exotic mood around the pool.

After all these unashamedly exotic stylistic touches the remaining, lower garden terraces (described as 'experimental') come as something of a surprise to those unaware of what to expect. The initial impression here is of a kitchen garden elevated to monumental proportions. Closer inspection, reveals a disciplined and carefully considered planting plan, with shaded, pergola-style walkways advancing between successive beds of vegetables mulched, in time-honoured fashion, with straw. Not that the potager theme is allowed to be too constraining; leeks, pumpkins and tomatoes (over sixty varieties), are accompanied by mallow, chard, rare vines, assorted fruits and no fewer than thirty types of pepper. Boosting the visual impact still further are gladioli, salvias, assorted herbs and various other species traditionally grown among vegetables in modest cottage gardens. Overlooking it all are huge banks of lavenders, Lavender Dream roses, potted lemon trees and lemon-scented pelargoniums, bathing the whole scene in a rich, heavenly fragrance.

Add the garden's sensational elevated location, almost floating above the surrounding landscapes, and it's hardly surprising that it inspires a tangible mood of sanctuary and wellbeing. With this very much in mind, the hosts stage an inspiring range of themed events throughout the summer season, while its pavilion-style museum displays their creators' personal collection of ceramics and Persian carpets. The gardens are a dream come true, and what's more, each season brings new ideas and variations to surprise the growing numbers of visitors who have come to share their creators' passion for them.

© Words and pictures Roger Moss
This feature first appeared in everything France magazine Issue 11

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